Terracotta Object | Lena Ochkalova
Arts Council Nelson and Forsyth Barr are thrilled to announce the finalists for the Pushing Clay | Forsyth Barr Ceramics Award and Exhibition 2026
Hana Pera Aoake | Kawerau
Joesphine Backhouse | Ōtautahi/Christchurch
Annette Bull | Waipūreku/Clive
Kristen Calder | Te Awaroa/Helensville
Georgina Caulton | Tāmaki Makaurau/Auckland
Maria Christus | Ōtepoti/Dunedin
Justin Cook | Te Papaioea/Palmerston North
Amanda Ewing | Te Puru/Thames
Darryl Frost | Whakatū/Nelson
Maryam Ghavipanjeh | Te Whanganui a Tara/Wellington
Sue Heydon | Whakatū/Nelson
Lucy Hunter | Ōtepoti/Dunedin
Elise Johnston | Ōtepoti/Dunedin
Nicole Kolig | Ōtepoti/Dunedin
En Torng Kumar, Sav Mattyasovszky, Harriet Stockman | Tāmaki Makaurau/Auckland
Margaret MacDonald | Ōhinehou/Lyttleton
Jane Manthel | Ōtaki
Anna McLeod | Tāmaki Makaurau/Auckland
Holly Morgan | Ahuriri/Hawkes Bay
Toy Murchie | Tākaka
Debbie Pointon | Paraparaumu
Rick Rudd | Whanganui
Gerda Satunas | Ōtepoti/Dunedin
Mary Schollum | Ōtepoti/Dunedin
Rosa Silverfinch | Tākaka
Z | Whanganui
Tanith Stevens - Walker | Whanganui
Grace Uivel | Ōhinehou/Lyttleton
Janna van Hasselt | Ōtautahi/Christchurch
Jenny Wilson | Ōtautahi/Christchurch
Wei Xu | Te Whanganui a Tara/Wellington
Xinyi Zhang | Tāmaki Makaurau
We are so grateful to our selectors…
Lot Brandt
is an internationally exhibited ceramic artist whose distinctive sculptural practice explores the expressive and often playful possibilities of clay.
Originally from the Netherlands and now working between Europe and New Zealand, Lot has developed a recognisable body of work that combines strong forms, rich surfaces and an imaginative approach to the ceramic object. Her work has been exhibited widely, with pieces held in private and public collections internationally.
Annie Pokel
is a has extensive experience across the arts and cultural sector. She has held leadership roles with the Nelson Arts Festival and has been involved in developing visual arts, community and creative programmes across Te Tauihu.
Annie brings a broad knowledge of contemporary practice, a strong connection to artists and makers, and a particular interest in how creative work can engage audiences and challenge expectations. She is currently part of the team at Objectspace, Aotearoa New Zealand’s leading gallery dedicated to design, craft and architecture.
Hillary Johnstone
is a contemporary object maker and Director of Project 100, bringing a strong understanding of contemporary craft, material-led practice and the evolving relationship between art, design and the handmade.
As a selector for the Pushing Clay Ceramics Award, Hillary brings a discerning eye for originality, considered making and distinctive artistic voice. Her experience in contemporary jewellery and object-based practice offers a valuable perspective on how artists use material, form and process to create work that is both conceptually engaging and visually compelling.
Introducing our judges:
Chanakarn Semachai (Punch)
is a Bangkok-based ceramic artist whose sculptural and functional work explores identity, multiculturalism and belonging.
She holds a BA from Chulalongkorn University and an MFA from Edinboro University, USA and she is a 2022 NCECA Emerging Artist awardee and a member of the International Academy of Ceramics. She has exhibited across Asia, Australia, Europe and the US, and organized the Chula Clay and Culture International Ceramic Symposium. In 2026 she received a British Council Connection through Culture grant for a UK residency on storytelling and memory through clay.
Paul Maseyk
currently lives and works in New Plymouth, New Zealand. He completed a Diploma in Ceramic Design and Production at Wanganui Polytechnic in 1997 and has since lived and worked with some of New Zealand’s best-known potters, including Barry Brickell OBE (1935 - 2016) and Ross Mitchell-Anyon ONZM (1958 - 2022).
Maseyk, a distinctive and skilled potter, has held many solo exhibitions in both private dealer galleries and public art galleries including One Pot Wonder - a survey exhibition, Dunedin Public Art Gallery, 2014 and more recently Jugs in New Zealand Painting shown at The Dowse Art Museum, 2024, Sarjeant Art Gallery - Te Whare o Rehua Sarjeant Gallery, 2025, Te Whare Taonga o Waikato Museum and Gallery, 2026 and The Arts House Trust, 2026.
He is the recipient of grants and awards and received a prestigious two year residency at Archie Bray Foundation for the Ceramic Arts in Montana, USA in 2007/2008.
His work is held in many Public Art Gallery Collections in New Zealand and also internationally.
Z Snook | Building VIII Finalist 2024
Pushing Clay | Forsyth Barr Contemporary Ceramics Award will be presented on 2nd October 2026.
We are so grateful for the ongoing generosity of Forsyth Barr Nelson, who has continued to support makers with this significant prize since 2022. Forsyth Barr is a majority staff and NZ-owned NZX firm providing a full range of investment and wealth management services. Founded in 1936, Forsyth Barr celebrates its 90th anniversary this year, marking nine decades of helping New Zealanders grow, protect and manage their wealth. As a proud New Zealand organisation with 25 offices nationwide, Forsyth Barr is committed to contributing in meaningful ways to the communities it serves, and is pleased to support Pushing Clay as a celebration of creativity, innovation and local talent.
This was a chance to break the mould and challenge traditional clay practices. Whether they work solely with clay or incorporate it into your mixed media art, we welcomed yartiststo showcase your innovative techniques in both two and three-dimensional pieces.
With a top prize of $8,000 and two runner-up cash prizes of $1,000 each, generously sponsored by Forsyth Barr, Pushing Clay 2026 aims to inspire and invigorate artists to push their limits and innovate their practise.
Arts Council Nelson are committed to building an archival record of contemporary New Zealand ceramics, as presented through the generous Pushing Clay exhibition and award.
This Award celebrates originality, with an emphasis on works that stretch the boundaries of traditional practice, and embrace the contemporary, conceptual and unconventional possibilities of working with clay.
ABOUT THE AWARDS
Pushing Clay | Forsyth Barr Contemporary Ceramics Art Award is a national exhibition run by Arts Council Nelson (ACN) and held biennially at the Refinery ArtSpace gallery and sponsored by Forsyth Barr in the Nelson CBD.
We are presenting the third iteration of this now prestigious showcase attracting the highest calibre of NZ's leading contemporary clay practitioners.
With the impetus of challenging the public perception of work in this field, artists responses have led to strong international interest in the event.
On that note: We have some important news! Refinery ArtSpace is on the move, relocating to the new Arts Hub at Millers Acre. A new name, Tāwera and a new home are on the horizon, but what remains unchanged is what matters most: our commitment to community and our kaupapa.
This next chapter is about creating an even more connected, accessible, and vibrant space for artists and audiences alike. We can’t wait to welcome you into this new era same heart, new energy!
Kinetic Foul Wind Vane | Richard Stratton Award of Merit 2024
SUBMISSIONS ARE OPEN
Submissions for Pushing Clay 2026 are open to all artists living in Aotearoa.
Artworks must predominantly feature clay, which may be natural, synthetic or any combination of these. Work may use any technique or mix of techniques and may be two or three dimensional.
Work will be selected for the exhibition on originality; the award celebrates originality, with an emphasis on works that stretch the boundaries of traditional practice, and embraces the contemporary, conceptual and unconventional possibilities of working with clay.
Priority for selection will be given to new work which has not been previously exhibited.
There is no limitation on size of work which may be free -standing, wall mounted or suspended.
HOW TO SUBMIT
Entry is by submission of hard copy photograph alongside a digital entry form.
Artists may submit up to 3 pieces of work. Work must be the artist’s own design and execution.
There are no entry fees. However, artists selected for the final showcase will be charged an exhibition fee.
Submissions close on Friday 21st August 2026.
Please carefully read the terms and conditions before you submit your application.
For any pātai, or questions, please contact:
Janja Heathfield, Refinery ArtSpace Manager
022 627 5363
refinery@acn.org.nz
TERMS AND CONDITIONS
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The Awards are open to anyone currently living in New Zealand.
Artworks must predominantly feature clay, which may be natural, synthetic or any combination of these. Work may use any technique or mix of techniques and may be two or three dimensional. There is no limitation on size of work which may be free -standing, wall mounted or suspended.
Work will be selected for the exhibition on ORIGINALITY; the emphasis being on work which stretches the boundaries of clay practise to give a contemporary twist to the more traditional view of these media. Priority for selection will be given to new work which has not been previously exhibited. If work has been exhibited previously, please state details of this on your entry form. Work must be the artist’s own design and execution. Any pieces that closely reference another artist's work should be acknowledged. Organisers reserve the right to withdraw work they feel falls into this category and is unacknowledged.
Artists may submit up to 3 entries free of charge. Works selected for the final showcase will however, be subject to an exhibition fee of $50 per work to help defray costs associated with the event. Selected finalists will also receive a catalogue with their returned artwork(s) unless sold and will be sent separately.
Entry and the initial selection of work will be by digital online application form and supporting hard copy photographic image supplied to Refinery ArtSpace for selection purposes. You must submit a digital application and send hard copy images to submit. Both digital and hard copy applications must be recieved by Friday 21st August 2026 by 5 PM.Images should portray the work in its best light for selection purposes, feel free to include close-up images to show work details as appropriate. Please ensure that your name and the title of the work are clearly marked on the back of the photograph. Please note that hard copy photographs should be no larger than A4 size and will not be returned. Optional descriptors of the entered work should accompany your photograph(s).
Photographs of entries should be delivered to PO Box 566 Nelson. 7040, and MUST arrive by Friday August 21st as we are moving from our 114 Hardy St venue.
Entrants will be advised of the outcome of the initial selection process by Friday 28th August. -
On completion of the initial selection process selected entrants only will then be asked to submit the actual work(s). These will be subject to a final selection process in physical form to determine the suitability of the work for the final showcase. At this point selected entrants will also be contacted if their high-resolution digital image of their selected piece(s) is not suitable for the finalists catalogue along with the optional brief (up to 150 words) overview of their practice and/or entry for catalogue purposes. We ask that these be considered well and submitted at the time of initial entry.
All selected work is to arrive at the new Arts Hub (formerly Refinery ArtSpace), Miller’s Acre Nelson, by Friday 11th September 5pm. Award recipients will be chosen by a judging panel whose decision will be final. No correspondence will be entered into regarding the judging outcomes. In the event of any short-listed entries not being included in the final showcase, artists will be notified of this prior to the exhibition opening on 3rd October and their exhibition fee will be returned. (Will we cover this return postage)
Work must arrive ready for hanging or placing, with instructions and inclusion of any extra fittings/ requirements if unusual. Please be aware that it may not be possible to cater to any specific lighting requests due to constraints of the gallery layout, however all efforts will be made to install selected works to their best advantage. All packaging and hanging materials must be clearly named for use when returning work as appropriate. Ensure packaging is appropriate to allow for this.
The artist’s name, title of work and retail sale price (or NFS) must be written clearly on a label or tag accompanying the artwork. Artists must ensure that they display the correct retail price on the work and that it is the same as indicated on the initial entry form as the organisers will use this figure for sales signage. Sales will be subject to a Gallery commission of 30% + GST, although it is not compulsory that work be for sale. -
Awards will be announced and presented at the Gala Opening & Awards Presentation at the new Arts Hub (name to be announced) on Friday 2nd October at 5.30pm. All entrants and guests are invited to attend.
Forsyth Barr Supreme Award $8000 Cash Prize
Forsyth Barr Award of Excellence $1000 Cash Prize
Forsyth Barr Award of Excellence $1000 Cash Prize
Hiwa | Emerging Artist Award $1000 Cash Prize
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All selected work must remain on display for the duration of the exhibition: between 3rd October - 24th October 2026
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It is our intention to produce a hard copy illustrated catalogue of the 2026 Pushing Clay Finalists Exhibition. Please note that Arts Council Nelson reserves full editorial control over what supplied information is used and/or omitted for final publication in the catalogue for both printed hard copy and on-line usage.
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Freight to and from Refinery ArtSpace and transit insurance is the responsibility of the entrant. Arts Council Nelson accepts no responsibility for any loss or damage to the work during transit to or from the gallery. Work that arrives in a damaged condition may be restored at the artists expense and only with the permission of the artist. Restoration is undertaken at the discretion of the Arts Council Nelson, taking the extent of the damage and time constraints into consideration. Restoration may invalidate work from being for sale but not from the judging.
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Insurance is the responsibility of the Arts Council Nelson whilst being installed and whilst on display in the gallery and the responsibility of the artist whilst in transit. All due care and diligence will be taken; however, the organisers cannot be held responsible for any damage or loss incurred.
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Local artists can collect unsold work from the the new Arts Hub (name to be announced) once the exhibition has closed.
Courier fees are the responsibility of the entrant.
Unsold works will be returned as soon as possible following the exhibition. Please tell us how your work will be returned, If you are still in negotiations regarding return freight, please let us know.Entrants will be notified of sales prior to the closing date of the exhibition wherever possible and any courier tickets supplied and not required shall be returned to the artist as appropriate.
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In entering the Awards, artists give permission for selected entries to be exhibited at the Refinery ArtSpace for the duration of the exhibition, and for work to be reproduced for cataloguing purposes and promotional usage for this and future Pushing Clay events. Work title and artist acknowledgements will apply in any such usage.
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